This analysis covers three banknotes from the Banco Nacional Ultramarino, specifically from Guiné and Timor, showcasing unique historical and artistic characteristics. The first note, worth 50 escudos, was issued in December 1971, while the 100 escudos notes from Guiné (1971) and Timor (1963) feature intricate designs and portraits of notable figures. These banknotes embody the culture and history of their respective regions, illustrated through vibrant colors and detailed patterns, as well as incorporating security features that protect against counterfeiting.
Obverse (front)
The front of the 50 escudos banknote is rich in color, predominantly green and purple with ornate embellishments. It features the coat of arms and a portrait of a distinguished man, likely a historical figure. The intricate background patterns consist of geometric shapes and floral designs, enhancing the aesthetic appeal. Several security features include a watermark, microprinting, and colored fibers embedded in the paper for authenticity.
Reverse (back)
The back of the 100 escudos note from Timor exhibits a more subdued palette, leaning towards brown and orange tones. It includes an emblematic design and additional portraits, further illustrating the region's heritage. Noteworthy security elements like holograms and fine line patterns can also be noted, which contribute to its overall integrity. Text in multiple languages reflects the multicultural influences of the era, making these notes significant artifacts of their time.